We can't find the internet
Attempting to reconnect
Something went wrong!
Hang in there while we get back on track. If this problem persists help us by reporting it so we can investigate it.
Xem bài pháp thoại này
Đăng nhập hoặc tạo tài khoản miễn phí để xem bài pháp thoại này và khám phá các bài giảng khác của Thầy - Thiền sư Thích Nhất Hạnh.
Đăng nhập hoặc tạo tài khoản
Mahayāna Vipaśyanā Four: The Art of Right Understanding: Catching the Snake of the Dharma
Thầy explores the necessity of attentiveness when studying the Dharma, warning that mishandling these teachings is as dangerous as mishandling a venomous snake. He introduces the core metaphor of the snake catcher: if you grasp a snake by the body, it will bite you, but using a “forked stick” to hold the head allows for safe capture and liberation .
The Dharma is presented as a raft designed to cross the river of suffering; once the other shore is reached, clinging to the raft indefinitely only leads to further weariness and hardship . Thầy notes that misunderstandings of the Buddha’s message persist even among his own disciples, as illustrated by the monk Arittha, who wrongly claimed that sensual pleasures are not an obstacle to practice. While the Buddha valued the mindful enjoyment of simple pleasures—like a glass of cold water or a beautiful morning—he warned that excessive attachment without the awareness of impermanence leads to suffering .
Misinterpretations of deep concepts can trap practitioners in mental categories, causing profound unhappiness or even nihilistic despair . Thầy explains that the teachings on emptiness and non-self are not meant to preach annihilation, but to reveal the illusion of a permanent self and promote true liberation . He highlights the three subtle traps of “mine,” “me,” and “inter-containing” that people use to cling to a self-identity out of a fear of nothingness . Ultimately, the Buddha’s silence toward philosophers reminds us that reality is bất khả đắc —ungraspable—and transcends all concepts of being and non-being. By approaching the Dharma as “artists,” we can use these teachings as tools for transformation rather than ideological burdens
This is the fourth talk in a series of thirteen giving during the Looking Deeply in the Mahāyāna Tradition, twenty-one-day retreat in the year 1992. Thầy offered this talk at the Lower Hamlet, Plum Village, France.
Mahāyāna Vipaśyanā Five: Reverence is the Nature of My Love